to them

 In the cosmic tapestry of human experience, within the vast expanse of Renton, nestled in the Pacific Northwest, there exists a soul named "Naked." A nonconformist, a rebel against the mundane, armed with an anti-tradition, anti-censorship policy that renders them uncensorable—an individual who refuses the constraints of societal norms.

Let us embark on a journey through the intricate contours of Naked's existence. At the age of forty-five, they find themselves ensconced in an apartment devoid of the true pillars of stability, comfort, connection, or creative outlet. Two years have passed since the respite of housing arrived, yet the refuge remains a battleground for solace.

Within the confines of their physical disability, Naked staunchly rejects the embrace of a wheelchair, choosing instead to navigate the terrain of existence on their own terms. The echoes of complex trauma reverberate through their days, with the video by Diane Langberg standing as a standard for the elusive treatment sought.

In a landscape devoid of friends and family, with a decade of homelessness etched into the annals of their past, Naked grapples with a stark reality—no coordination or emotional capacity for the tech-laden world that surrounds them. A self-imposed boycott of technology and the internet emerges as a shield, wielded in the name of mental health preservation.

Yet, despite the tenacity exhibited in their anti-tech stance, the quest for connection and understanding remains unfulfilled. A cry for help reverberates through the words—a plea for assistance that transcends the digital chasm. A person yearning for a support circus, a community that comprehends and accepts the intricacies of their being.

The resources, intended as lifeboats in the tempest of existence, have failed spectacularly. The internet, heralded as a beacon of connectivity, has proven elusive in delivering the solace sought. The apartment, though providing physical shelter, offers no respite for the restless mind, drowning in the cacophony of adulting responsibilities.

In the tapestry of Naked's desires, the yearning for stability takes the form of a dream—a company to call their own, surrounded by a support circus. Confidence may falter in the social realm, yet it stands resolute in the pursuit of goals. The societal expectation of an inherent inhuman ability to rise from the quicksand of self-help pamphlets emerges as a formidable adversary.

Repetition, a trigger of exponential proportions, dances with the invisible tornado of trauma, goals, noise, and chaos that hovers above. Society, with its addictions, has alienated Naked, laying blame at their feet while failing to recognize the invisible battles waged.

In the realm of desires, the call for a documentary exposing the barbaric bare minimum of the mental health system resonates—a plea for a collective awakening to the shortcomings that mar the pursuit of wellness.

Astronomy, Startalk, the World Science Festival, Bill Nye, Kate the Chemist, Jon Stewart, Lewis Black, Terence McKenna, and George Carlin stand as beacons of interest in Naked's world. A longing for intelligent, compassionate, competent, skilled women who embrace atheism and nonconformity echoes through the pages.

The rejection of flaming monkey excrement, a term encompassing unsolicited advice, gaslighting, projection, toxic positivity, and a litany of societal ills, is fierce. The call for volunteers and companions with free time, a vision for a tech/media company, and a desire for advocacy and legal representation resound.

Thus, readers, in this intricate labyrinth of words, Naked lays bare their soul, seeking connection, understanding, and tangible assistance. It is an appeal that transcends the boundaries of the digital realm—a call for compassionate intervention in the symphony of existence.